an example of my Internet ArtLast week I had the on honor of being interviewed by my papi on Sí Se Puede. We talked about Internet art, the implications of growing up online, linguistic performances on twitter, public vs private, and more.If you missed it you can listen here:[audio http://mayaescobar.com/Maya%20Escobar%20-%203-6-2011.mp3]
WE GUARANTEE YOU'LL KEEP YOUR CARD IN YOUR WALLET FOR GOOD
Andria, The Fat Free Elotera, and I are featured in JEWCY
Jewcy Art: Maya Escobarby Margarita Korol, February 24, 2011
In 2007 we dubbed her the Anti-Feminist Feminist Jewish Latina. We stumbled upon performance artist/ Internet curator/ editor Maya Escobar again at the GA in New Orleans where her video installations were making a Marina Abramovich-style scene near Jewcy’s booth. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses.
click here for full text
Escobar-Morales
Artist Statement and BioEscobar-Morales is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and Philadelphia respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.Maya Escobar was born in Chicago, IL in 1984. Andria Morales was born in 1982 in New York, NY. Escobar received a BFA from the School of the Art Institue of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).
Internet Art & Activism- the #delValleMural
I am a Chicago-based digital media and performance artist. I created this grassroots, social media, portable mural in support of Miguel del Valle's campaign for Mayor.
follow hashtag: #delValleMural to see how the mural was created.
#delValleMural
The #delValleMural is finally complete!
#delValleMural, 2011, Acrylic on CanvasI am thinking that after the elections a Chicago Public Library would be a really nice home for the piece. What do you guys think?
putting final touches on the #delValleMural
The #ChicagoMayor elections are right around the corner...
And I am happy to report that I am ALMOST done with the #delValleMural(the hashtag is silent)
#delValleMural in progress
As a community-based performance artist, I find the act of sharing the process equally important to the act of sharing the final product.Here are images from the last week of the #delValleMural unfolding.
YouTube Video Reel
AM and I are applying to another residency!Unlike our current Wonder Woman Residency, where we applied as Escobar-Morales, this particular program does not accept joint proposals. So we are submitting seperately and hoping (and hoping and hoping) we will both be accepted.I am applying to the #InternetArt section.[youtube=http://www.youtube.com/watch?v=bk54gsndAQY]And she is applying to the Photo section.
el es frida kahlo in RENACIMIENTO
RENACIMIENTO is curated by Rachel Matos.When addressing the topic of duality and rebirth one must think of the two connected through the process of transformation. The initial duality perhaps emerging out of conflicts in accordance to the individuals own internal precepts and colored by the knowledge of their external experiences leads to this transformation, which bares a reawakening or rebirth.The artists in Renacimiento share their personal journey through stories of cultural identity, conflictual relationships and the transcendence from their ancestry. In lieu of the new year, it is an introspective view of how we all change and seek to change – Rachel Matos
el es frida kahlo is from the series Obsessed with Frida KahloAs a Latina artist I will forever be tied to Frida Kahlo in some way. Frida Kahlo is the reference between who Latina artists want to be, and who everyone else expects us to be. Whether I am mimicking her style, her persona, or trying to escape the embedded attachment between myself and the late painters’ legacy, I will still be connected to Frida Kahlo.Frida Kahlo constructed her identity though her public persona. Kahlo’s attitude, personal traumas, sexual escapades, clothing, and political affiliations, all informed her body of work. Now regarded as the number one female artist in Mexico, Kahlo’s image has become so embedded in popular culture that when one looks at one of her self portraits one automatically thinks about her tragic bus accident, her tumultuous relationship with Diego, and her bisexuality. Kahlo inscribed her identity, painting her image over and over, constructing a mythology around her persona.In el es frida kahlo, I stand before a reproduction of one of her paintings. With a mixture of rage, anxiety, and complete fear, I chant “el es Frida Kahlo, ella es Frida Kahlo, el es Frida Kahlo, yo soy, yo soy, yo soy Frida Kahlo,” he is Frida Kahlo, she is Frida Kahlo, I am, I am, I am Frida Kahlo. As I yell, the painting behind behind me begins to fall. I violently tear down my braids and smudge off my makeup while continuing yelling “I am Frida Kahlo, I am Frida Kahlo, yo soy Frida Kahlo!”
All I want for my birthday is to go to Texas
Tomorrow I turn 27. And everyone keeps asking me what I want, what I need. Things may be tight, but I have what I need: a roof over my head, food to eat, an adoring husband and wonderful family and friends.But what I want more than anything, is to be able to go to Texas with my collaborator Andria Morales. She and I were just accepted to the 2011 National Popular Culture Association Conference in San Antonio Texas, where we will be presenting our self portrait dialog exchange project Are You My Other? We are thrilled about this opportunity and think it is the perfect place to situate our work. But after totaling our expected expenses, we realized that collectively we need to come up with $1,500 just to make it happen.So Andria and I are launching our first-ever Are You My Other? fundraising campaign Taking it to Texas. In exchange for donations, we are offering Are You My Other? goodies, alongside favorites from our individual bodies of work... but at a fraction of the price!SHOMER NEGIAH PANTIES (usually $20 each now one pair for $15 or two for $20) and Andria's BLASTER BIKE TOTES ($15) and T-SHIRTS ($20)
Jewish Art as an Israeli Periphery
Acciones Plásticas in Fringes - Jewish Art as an Israeli Periphery
שוליים - אמנות יהודית כפריפריה ישראליתby David Sperber
The publication "Fringes - Jewish Art as an Israeli Periphery" is a continuation of a series of publications published under the auspices of the Leiber Center of Bar-Ilan University. The series focuses on research and documentation of contemporary Jewish art discourse in Israel. The series in general, and the current volume in particular, aim at sketching broad guidelines for topics pertinent to the field of Jewish art within the Israeli sphere.
The basic hypothesis of the current edition is that Judaism is conceived as a "subterranean" element of Israeli culture. The discussion considers the viability and elasticity of distinctions between the religious and the secular. This perspective favors a harmonic understanding, by which religiosity and secularism are not opposites, but rather intertwined inseparable concepts. Alongside the discussion concerning canonical artists, this publication relates mainly to peripheral tendencies and non-mainstream artistic groups, aiming to reveal their qualities as well as their limitations.
Fringes -- Jewish Art as an Israeli Peripherypublished by Leiber Center of Bar-Ilan University
deal with it.
I am Midwestern girl, born and bred.
Yes, I know there is a New York Art World.And yes, I am aware that people make cultural identity work on the West Coast.But I am rooted here.With the world at my fingertips.
AM + ME Open Studios
AM and I visit each other's Studios on Are You My Other?
AM studio
ME Studio
AM I her or is she ME: The Chronicles of The Fat Free Elotera
The Fat Free Elotera is a (developing) character on Are You My Other? The Battle Between The Self and The Other, an ongoing self-portrait dialog exchange project, produced by myself (ME) and Philadelphia-based performance and installation artist Andria Morales (AM). Through a series of weekly exchanged blog posts, Andria and I publicly negate, deconstruct, and reconstruct our individual histories, identities, and conceptions of self.
Click on images below to experience the creation of our latest persona.
[youtube=http://www.youtube.com/watch?v=WIAL-MCPe_A]
Ultimate Promo Model for Jewish Identity
have you been kiruv'd lately?
The Real ME
Creating Resistance: Using the Arts in Challenging Racial Ideologies
I am so excited to announce that on November 5th 2010, I will be presenting at the Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies at DePaul University in Chicago.Creating Resistance: Using the Arts in Challenging Racial Ideologies A Roundtable Discussion Moderated by Laura Kina with Alejandro T. Acierto, Maya Escobar, Tina Ramirez, and Jonathan ReinertDePaul University Student Center | 11/5/2010 | 10:15 amCONFERENCE IS FREE & OPEN TO THE PUBLIC CLICK HERE TO REGISTER
This roundtable focuses on the use of the arts as a strategy to discuss, challenge, and confront ideologies of race and mixed-heritage identities. The panelists involved – each of whom work in different artistic fields – will present their work either via performance or through a discussion of their current work and the process that helped produce such work. The discussion will highlight how identifications of mixed heritage have integrated, collided, or been negotiated within and through their work while also placing their work within the complex relationship between art, activism, and organizing. Additionally, the panelists will address how their creative projects have been used strategically within specific contexts while also reflecting upon the reception of their work among the public. Likewise, they will address the relevance and necessity of this type of work within the “multiracial/post-racial” framework and how their work speaks to those issues to challenge racial expectations and stereotypes.As experienced cultural producers of various mediums, the panelists will also open up a forum for discussion about their own experience with specific art forms and how those mediums have presented various challenges, limitations, and problems in addressing ideologies of race. The audience will be encouraged to participate in the discussions by contributing their own experiences of using the arts critically and strategically as well as responding to the panelist's remarks and performances.
Multiple identities align in Behind The Scenes Acciones Plasticas プリクラ
CREATIVE RESISTANCE ROUNDTABLE BIOSLAURA KINALaura Kina is an artist, independent curator, and scholar whose research focuses on Asian American art and critical mixed race studies. She is an Associate Professor of Art, Media and Design, Vincent de Paul Professor, and Director of Asian American Studies at DePaul University. She is a 2009-2010 DePaul University Humanities Fellow. She earned her MFA from the University of Illinois at Chicago, where she studied under noted painters Kerry James Marshall and Phyllis Bramson, and she earned her BFA from the School of the Art Institute of Chicago. Born in Riverside, California and raised in Poulsbo, WA, the artist currently lives and works in Chicago, IL with her husband, Mitch, and their daughter, Midori, and her stepdaughter, Ariel. Her work has shown internationally is represented in Miami, FL by Diana Lowenstein Fine Arts.ALEJANDRO T. ACIERTO Alejandro T. Acierto is an active collaborative musician, improviser, composer and sound artist whose innovative work in contemporary music and performance has led Time-Out New York to call him a “maverick of new music”. His creative output embraces an ambiguous aesthetic that integrates music, sound, performance art, and installation based on historical narratives and his own experience as a third and fourth generation Mexican Filipino American. He recently won the Sidney and Mary Kleinman Prize in Composition and was granted a composers’ residency fellowship at the Virginia Center for the Creative Arts. His work has also been featured by Trifecta Publishing, a curated collection of multimedia works by diverse artists.Acierto holds a Masters’ degree in Contemporary Performance from Manhattan School of Music and received his Bachelors’ degree in clarinet performance and composition with a minor in Asian American Studies from DePaul University. He has performed and presented his work in Germany, Austria, Italy, France, and across the US. He is a founding member of the New York-based ai ensemble and Chicago-based chamber orchestra ensemble dal niente and is currently freelancing in New York City.MAYA ESCOBARMaya Escobar a performance artist, Internet curator, and editor. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses. Her identifications as a Latina-Jewish artist, dyslexic blogger, activist and educator are indexed by the blogs she keeps, the visual and textual links she posts, the books, articles, and blog posts she cites, the public comments she leaves, and the groups she joins.Escobar received her MFA from the Sam Fox School of Design & Visual Arts, Washington University in St. Louis, and her BFA from the School of the Art Institute of Chicago. She has exhibited work in Spain, Guatemala, United States, Germany, Venezuela and Chile.TINA RAMIREZTina Ramirez is a Filipino Colombian writer, educator and youth organizer, claiming roots as a country mouse and a city mouse (Kansas-born, Chicago-bred). She has co-developed curriculum with youth spaces such as YAWP! (Young Asians With Power!) and MCYP (Multi-Cultural Youth Project), using creative self-expression as a vehicle to explore identity politics and community-based issues. She was a core organizer with Kitchen Poems, an Asian Pacific American writing workshop, and currently serves on the board for the Leadership Center for Asian Pacific Americans. She has self-published two chapbooks and performed at various venues, including Free Street Theater, Judson Memorial Church, and Insight Arts.Tina received a B.A. in Literary Studies and Creative Writing from Beloit College and an A.M. from the University of Chicago’s School of Social Service Administration with a focus on youth development, nonprofit administration and education policy. She currently works with community schools in Chicago’s Woodlawn neighborhood.JONATHAN REINERTJonathan Reinert was born in Tuguegarao, Philippines. At three and half years of age, he was adopted into a German American family in 1987. Jonathan lived in Kirkwood, Missouri for 15 years before leaving to attend college in Chicago where he graduated from DePaul University with a B.A. in Art and Art History and a concentration in painting and drawing. Inspired by the work of Vito Acconci and Chris Burden, Jonathan began experimenting with video performance art toward the end of his college career. His debut performance, "Twenty Twinkies," was a surprising success and compelled him to pursue a career in video production and documentary filmmaking.Jonathan has recently finished his studies as graduate student in Asian American Studies at UCLA. His master's thesis film, Left on Lockett Lane, is an autobiographical work which examines his experiences growing up in the Midwest as an Asian adoptee and was awarded official selection in 2010 Los Angeles Visual Communications Asian Pacific Film Festival. Jonathan will spend the remainder of the year submitting Left on Lockett Lane to various film festivals across the country and is in the process of applying to film schools for the fall of 2011.
Emerging Paradigms in Critical Mixed Race Studies
Come join me at the 1st annual Critical Mixed Race Studies Conference, Emerging Paradigms in Critical Mixed Race Studies, at DePaul University in Chicago, November 5-6, 2010.
The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have reached a watershed moment, the 2010 CMRS conference is devoted to the general theme “Emerging Paradigms in Critical Mixed Race Studies.”Critical Mixed Race Studies (CMRS) is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.
I will be presenting at the conference on November 5th in a roundtable discussion moderated by Laura Kina, on the use of arts in challenging racial ideologies. My next post will include more information on the roundtable and on my fellow panelists: Alejandro T. Acierto, Tina Ramirez, and Jonathan Reinert.
Taking it to Tumblr
Prompted by a Google Alert and a recommendation from my friend Carrie Ferguson Weir, I decided it was time for me to set up shop on Tumblr.below are some of my favorite Tumbls:
Andria MoralesIn addition to my own Tumblr blog, I also started a Frida Kahlo FANATIC blog Obsessed with Frida Kahlo*.some of my Frida Tumbls: 
