La voz de Frida

Anyone who knows me, knows that I'm obsessed with Frida Kahlo. But the last two months haven given me such unexpected Frida Kahlo magic... that I'm still in disbelief.

Last month I got to attend Frida Kahlo: Appearances Can Be Deceiving, the largest U.S. exhibition of Frida's work in the last ten years.

And just yesterday... for the first time ever I got to hear Frida's voice.

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El Gobierno mexicano ha mostrado el hallazgo con cautela asegurando que los estudios apuntan a que se trata de la voz de Kahlo, pero reconociendo que no han logrado confirmarlo totalmente. “Es un hallazgo que tiene muchos elementos que pueden identificarse como la probable voz de Frida Kahlo, sin darlo como cierto al 100%”, ha explicado la secretaria de Cultura, Alejandra Frausto. - El País

Cray... wonder if it's really her voice. But as always, I'm obsessed with the obsession.

Yo Soy Oro

Yo Soy Oro is a state of mind, a feeling and a destination. I Am Gold means as good as it gets, the best that money can buy, constantly increasing in value. El Centro de Oro is all that and more. Third generation family owned businesses thrive, while new investments bring change to the streets. Lovely long haired ladies in shiny gold outfits stride confidently down clean sidewalks where bright yellow big bellies on every corner keep trash where it belongs. Taste the rich flavors of tropical dishes and rock to the sounds of solid gold hits from the best of Latin music.

Nursing symphony: wanted breastfeeding mamas

Do you love nursing your baby? Does your little one "perform" every time he or she is at your breast? I am working on new breastfeeding series that will include the sounds of nursing babies. I am looking for moms to contribute audio recordings of babies feeding. If you are interested in having the sounds of your baby feeding included in the piece please let me know.

Escobar-Morales at the Bruno David Gallery

ESCOBAR-MORALES: Resurrection of Hun-Nal-Ye at the Bruno David Gallery in St. Louis, MO. Opening on Friday, February 1, 2013, from 5 to 9 pm.  Show runs until February 23rd, 2013.In the New Media Room, the Bruno David Gallery presents a single-channel video work titled “Resurrection of Hun-Nal-Ye” by Escobar-Morales. The 21-minutes video originated from a performance at the closing for RICH-OO-UH'L, RICH-OO-UH'L at Jolie Laide Gallery in Philadelphia, with sound by Armando Morales.In the Resurrection of Hun-Nal-Ye (2011), Escobar-Morales perform a funerary ritual, referencing the mythical Mayan tale of the Hero Twins reviving their dead father, the Maize God. In their contemporary interpretation of this ancient story, Escobar-Morales simultaneously represent the body and the soul; the God/ Goddess and twin offspring, in both physical and technological forms using live performance and web based video projection.ESCOBAR-MORALES is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and New York respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.Maya Escobar was born in Chicago, IL in 1984. Andria Morales was born in 1982 in New York, NY. Escobar received a BFA from the School of the Art Institute of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).Photo by Armando Morales

Escobar-Morales: Excerpts from the Ressurection of Hun-Nal-Ye

Performance artists Escobar-Morales perform a funerary ritual, referencing the mythical Mayan tale of the Hero Twins reviving their dead father, the Maize God. In their contemporary interpretation of this ancient story, Escobar-Morales simultaneously represent the body and the soul; the God/ Goddess and twin offspring, in both physical and technological forms using live performance and web based video projection. Performed at Jolie-Laide gallery in Philadelphia.[youtube=http://www.youtube.com/watch?v=pIIr9MXHLBc]

AMerican MEdia Output in Philly

Are you Target Audience? Find out in Philly. Stay tuned for details on the next official AMerican MEdia Output appearance.

photo by Abel Arciniega

Excerpts from my thesis: My Shtreimel

My Shtreimel is a video blog that features my fiancée Loren, who is a reoccurring character in my work. Sitting in a dimly lit room, Loren shares a personal Sabbath ritual. Behind him is the large painting of the Rebbe that appears in  Obsessed with Frida Kahlo video. Although Loren is alone, he addresses the camera as if he were speaking directly with his eventual audience.[youtube=http://www.youtube.com/watch?v=NNAxEUEE43Y] My Shtreimel, YouTube Video, 2006.

"I think it is very important for each of us to have an enjoyable Shabbos experience. And to be able to in some ways personally define what that Shabbos experience entails. There's a lot of different minhags that I think a lot different people have that not every one has. And there are certain things that we develop not necessarily because they are passed down from our father, or our mother, or your mother's father, just because it is something that makes your Shabbos experience a little bit more enjoyable a lot these personal minhags that we all have..."

Casually citing the Chofetz Hayim and the Talmud Yerushalmi, he acknowledges both his relationship to, and awareness of traditional Jewish texts; thereby, indirectly aligning himself with a more observant Jewish community. Using humor, he offsets the implied exclusivity of those ties, by adding that he is actually wearing a woman’s hat that was purchased at a thrift store.eruv stl is “posted as a response” to My Shtreimel. eruv stl is intended to link Berlin’s Eruv to St. Louis. In this low quality thus “authentic video blog” Loren and I drive around the Washington University in St. Louis area, with a map in hand, trying to locate St. Louis’s eruv. In the background you can hear Guns and Roses famous song Welcome to the Jungle. Loren assumes a role similar to the one of Matisyahu, a halakically informed Jew, who does not the traditional model for the other and is thereby able to communicate with the secular world.[youtube=http://www.youtube.com/watch?v=Fv8YTCXv8xY]eruv stl, YouTube Video, 2009.I ask Loren why he thinks the eruv extends as far as it does and if he thinks that there area lot of Orthodox Jewish families living in the area. Loren tell me that the eruv has extended this far because of the Hillel on campus, and that while there are not many Orthodox families living on the streets that we are driving, that the presence of the Hillel on campus is enough to create an eruv-worthy Jewish community.Not only does it become clear that Loren familiar with Orthodox Jewish practices and the neighboring streets, but also he is still not sure exactly where the eruv is located. Meaning that even though the eruv is present, Loren is either a) so religious that he doesn’t abide by it, OR b) he doesn’t lead a Jewish life that would involve abiding by an eruv. As the conversation continues Loren continues to distance himself from vocabulary that you would expect to come from a more observant Jew, as he casually engages in humorous banter with me surrounding the eruv.I ask him how it felt to finally “find” the eruv, he responds that he “feels pretty good” but he didn’t feel like “it was an actual wall” - which it isn’t, so this statement is made in jest. He continues, “its like finding Waldo, Waldo had curly hair and glasses, he might have been a frum Jew [...] maybe it is a statement about jews begin such a small percentage of the population...The Rebbe, Acrylic on Canvas, 2004.more thesis excerpts coming soon...

Schachter's Pocket Tzedek

ATTN: transient digital native Jews, the ever so talented Ben Schachter has come up with another brilliant Jewish pop culture piece, Pocket Tzedek. Ben Schachter has entered a competition that asks, “Where do you give?”  Sponsored by the American Jewish World Service whose mission is “to realize human rights and end poverty in the developing world.”  Support his design by voting for him here:  www.wheredoyougive.orgCharity and Philanthopy are major parts of many religions.  Judaism gives it a unique character.  As the contest describes, “The word tzedakah (Hebrew: צדקה) comes from the Hebrew word tzedek, meaning righteousness or justice. It refers to the Jewish practice of giving money in order to help those less fortunate—using our financial resources to create a more just and righteous world.”Schachter’s design, “Pocket Tzedek,” combines wireless technology – a debit card reader – and a traditional “pushke,” or piggy bank. Instead of dropping in coins, the donor dips his card.Find Schachter’s design under the web interactive category on the third page at www.wheredoyougive.org/voting and vote for him every day until April 1. 

el es frida kahlo in the Jewish Women's Archive Blog

[youtube=http://www.youtube.com/watch?v=xlMPoFXRT18]el es frida kahlo featured on Jewesses with Attitude in honor of Frida Kahlo's 104th birthday.

A Latina "Jewess with attitude," Maya Escobar plays with the web as a platform for engaging in community dialogue around identity and multiple identities--how they are socially and culturally constructed. She often assumes multiple identities in her performances, drawing from various existing representations.

About "el es frida kahlo," she writes:

Frida Kahlo played with the identity that she wanted to project and the identity that was placed on her by others. Kahlo used her clothing, political affiliations, sexual escapades, and personal traumas, to create a character that informed her body of work. She inscribed her identity, painting her image over and over, constructing a mythology around her persona.In el es frida kahlo I confront the ambivalence I experience as a result of my simultaneous obsession with Frida Kahlo and weariness towards her commodification.

What is your reaction to this confrontational piece? Do you identify with Escobar's ambivalence towards Kahlo, her work, and her commodification in our culture?

AMerican MEdia Output in New Jersey

You saw Escobar-Morales as promo models in TX, "promoting" Arizona Tourism...And here we are as marketing executives in NJ.Andria was live at Gallery Aferro and I skyped in from Chicago.Stay tuned for more details on the performance and the results from AMerican MEdia Output's #targetaudiencesurvey.

Negotiating Latina Identity through Performance Art on the Web

Andria and I will be presenting  Are You My Other? next week at the 2011 National Popular Culture Association Conference in San Antonio, TX.

Negotiating Latina Identity through Performance Art on the Webwith Maya Escobar and Andria Morales

Challenging mainstream and academic representations of Latina identity, performance artists Maya Escobar and Andria Morales publicly negate, deconstruct, and reconstruct their individual histories, identities, and conceptions of self. In their current project Are You My Other? a self-portrait dialog exchange blog, Escobar and Morales draw from popular culture, Latino/a cultural iconography, and their lived experiences to create and virtually perform conflicting representations of Latina selves. From devoted homemaker to hockey player, reggaetonera to construction worker, conceptual artist to human corn on the cob, the artists model the multiplicity of identity.

Due to their shared physical similarities, followers of their online exchange often mistake Escobar and Morales for one another. The merging of their identities is further perpetuated through their activities on social networking sites such as Facebook and Twitter. By locating these performances within the space of the web, where they are free from restrictions of time and place, the artists are able to concurrently enact multiple personas while simultaneously forming a unified (Latina) hybrid self.

it's official: Escobar-Morales has arrived

visit us now at http://escobar-morales.com

Puerto Rican Taxidermy Funeral pt 2

Will you be attending?

Andria Bibiloni, 28, of New York, ceased to exist on Mar. 23, 2011 in Philadelphia, where she lived since 2000.  A visual artist and educator, she strove through her work to facilitate a dialogue about sociopolitical and interpersonal issues. Known for riding her Blasterbike, 2007, in the streets of Philadelphia, her departing wish was to be displayed riding a bigger, louder, and heavier soundblasting vehicle.  Beth Beverly of Diamond Tooth Taxidermy will be handling the preparations for the viewing, which takes place at the Rotunda in University City on Sunday March 27 from 3-5 pm.  Guests are invited to stay for refreshments.

Kickstart the Wonder Women

So what's the deal with the recent AMerican MEdia Output - "Welcome to Arizona" and "Go Public" campaigns?It all started with Escobar-Morales's participation in the Wonder Woman Residency New News is Old News, which I blogged about a few months ago.

As a follow up to Are You My Other? our current Internet based self-portrait dialogue exchange project, Escobar-Morales is establishing an online marketing agency. Acting as designers, distributors, and promo models, we plan to produce a series of advertisements addressing contentious topics in the news, such as Arizona’s SB-1070 and the Dream Act.

There are currently three scheduled New News is Old News exhibitions:The first NNION exhibition opens on May 7th, 2011 at Gallery Aferro in Newark, New Jersey. The second exhibition will be in Cyprus! The third exhibition will be in Brooklyn at the WAH Center and opens in mid-July, 2011.Please visit the Women Woman Residency KICKSTARTER ProjectWe ask you...

• who mediates the news?
• how is social media changing your foundation of news?
• can technology keep up with history?
• when was the last time you read the paper?
• is journalism dead?

The Project:The Wonder Women residency has selected ten NYC area artists to create work addressing these questions for New News is Old News (NNION). In this eight week residency, curators and artists construct and deconstruct: their understanding and experience of media; the different perspectives of journalism online vs. print; the future of news. Given the changing landscape of news and media, artists have new opportunity to engage and to create work addressing these intersections. The residency culminates with an exhibition of the artists projects (details below).If you think that is exciting....It gets even better. In June, the curators and three selected NYC artists will travel to Nicosia, Cyprus to continue the dialogue with eight Cypriot artists. In an intensive two-week workshop, the artists will focus on international relations, local policies and news. The projects created will be exhibited in Cyrus and then in NYC.Help _gaia fund the artists, the projects, and the exhibitions!The History:_gaia is a collective of women artists and activists creating art, events and opportunities in the visual and media arts, performance and design. Its members actively promote and support the work of local women artists while developing programs that encourage collaboration and create community to help emerging artists in need of studio space, facilities and resources. In pursuit of raising awareness _gaia concentrates on activism, from issues in the local community and the art world to global issues affecting the lives of women.Wonder Women (WW) is a residency program in its sixth year presented by_gaia, an artist collective. The WW mission is to engage practicing, yet underrepresented artists who are eager to participate in a collective dialogue about the art world and feminism today. See the project blog for information about previous Wonder Women residencies.The NNION Wonder Women:Christine DaCruz: the obituaries. Christine has been threading portraits of deceased women.Mairikke Dau: painting the news. Rikke has created a large still life painting in response to the Arizona shooting, and the various controversies which have risen from the event.Sharon de la Cruz: Crooked Images. Sharon has created a feature news segment about Aunt Jemima discovering her sexuality.Melissa MacAlpin: vows and love. Melissa has created a series of comics in response to the Sunday vows section of the NY Times.Escobar-Morales: American Media Output. Andria Morales and Maya Escobar created an ad agency that is currently focusing on two campaigns around immigration, and Arizona.Lindsey Muscato: spills from the NY Times. Focusing on the experience of reading the newspaper, Lindsey is drawing segments of the broadsheet, selected from organic spills.Larysa Myers: extinct technology. Laryssa is creating a casket sized sculpture from discarded video tape.Cristine Posner: the big oil spill (forgotten). Cristine has collected news articles addressing the June oil spill, and is creating a series of weekly cyanotypes based on the press.Sharone Vendriger: wikileaks. Sharone is creating a large mobius sculpture referencing transparency in public information.Nicole Wilson: agency and the news. Nicole has created a video, that looks to the three graces as examples and agents of 21st century news.The Cypriot artists will be selected in April in collaboration with our partners in Cyprus: Cyprus Community Media Centre, Rooftop Theatre Group and European-Mediterranean Art AssociationCurated and Organized by Maya Joseph-Goteiner, Doris Caçoilo, and Alana Kakoyiannis.

LAST RIDE: Andria Morales formerly Andria Bibiloni

UPDATE: visit AreYouMyOther.com to see Bibiloni's mass card.Have you ever Googled Puerto Rican funeral? If you haven't then I suggest you do.  And if you live in Philadelphia or in the surrounding area, you should attend Andria Morales and Beth Beverly's collaborative performance Last Ride.

LAST RIDE: collaborative performance-based artwork by Andria Morales & Beth Beverly. Inspired by Puerto Rican funeral celebrations & taxidermy traditions - 03/27/2011 @ The Rotunda @ 3:00pm-5:00pm

LAST RIDEPerformance and receptionSunday March 27, 20113-5pmThe Rotunda, 4014 Walnut St., PhiladelphiaLAST RIDE is a collaborative performance-based artwork by Andria Morales and Beth Beverly.  Inspired by Puerto Rican funeral celebrations and taxidermy traditions respectively, the artists have found a common interest in death.  Using the Rotunda’s church-like interior as a backdrop, the artist’s work will invite viewers to experience mourning as a celebration.Andria Morales (formerly Andria Bibiloni) explores the divide between art representative of culture, and art produced from within a cultural community. By immersing herself in situations where cultural identity is consequential, she aims to provoke viewers into a confrontation and analysis of their own preconceptions. The resulting work is multidisciplinary, consisting of mixed media sculptures, self-portraits, performance based videos, and site-specific installations.  Andria Morales’s work has been exhibited at Labor K1 in Berlin, Virginia Commonwealth University in Richmond, Projects Gallery in Philadelphia, the Ice Box in Philadelphia, and the CUE Art Foundation in New York. In 2008 she was awarded a Joan Mitchell MFA Grant for her work in mixed media sculpture and installation. Andria is currently a resident in the 40th St. Artist in Residence Program, and teaches at Tyler School of Art.Beth Beverly is a State- and Federally-licensed taxidermist who has a BFA from Tyler School of Art and graduated from the Pocono Institute of Taxidermy with high marks. Ms. Beverly is passionate about using every part of an animal and being thankful for the ultimate sacrifice each creature makes to land both in her studio and on her plate. She has won numerous awards for her taxidermy creations, including Best in Show at the fifth annual Carnivorous Nights taxidermy contest in New York.  Beth’s work has been exhibited at Bahdee Bahdu Gallery, James Oliver Gallery, Wilbur Vintage Boutique and has been featured in a plethora of fashion & art blogs.Admission is FREE

when physical appearance equals reasonable suspicion

Public Airways is an artwork that aims to help viewers imagine the consequences of proposed immigration laws that inevitably lead to increased racial profiling.  Arizona's SB 1070 would make it legal for law officers to use someone’s physical appearance as a form of “reasonable suspicion” to demand proof of citizenship.  Similar laws have been proposed in South Carolina, Minnesota, Rhode Island, Pennsylvania, Michigan, and Mississippi.  Perhaps rightful citizens and casual world travelers subject to profiling will soon seek to avoid such destinations altogether: a 21st century "Non-White Flight."

follow @PublicAirways 

The 1st Arizona Welcome Pics Are Here

please feel free to share and re-post...visit: http://americanmediaoutput.com/arizonawelcome.html

TAKE ACTION AGAINST ANTI-IMMIGRATION ARIZONA LAWS

visit: AMericanMEdiaOutput.com/arizonawelcome.htmlclick hashtags #SB1611 and #SB1070

embeddable images of the Arizona Welcome Promo Girls will be avaliable soon...

Andria, The Fat Free Elotera, and I are featured in JEWCY

Jewcy Art: Maya Escobarby Margarita Korol, February 24, 2011

In 2007 we dubbed her the Anti-Feminist Feminist Jewish Latina. We stumbled upon performance artist/ Internet curator/ editor Maya Escobar again at the GA in New Orleans where her video installations were making a Marina Abramovich-style scene near Jewcy’s booth. She uses the web as a platform for engaging in critical community dialogues that concern processes by which identities are socially and culturally constructed. She performs multiple identities, sampling widely from online representations of existing cultural discourses.

click here for full text

Escobar-Morales

Artist Statement and BioEscobar-Morales is a team comprised of Maya Escobar and Andria Morales. The two artists, based in Chicago and Philadelphia respectively, have been working together over the Internet since 2010. They produce digital media and performance art that explores the role of self-representation in visual culture and its ability to deconstruct ingrained ideological conventions. By locating their performances online where they are free from restrictions of time and place, Escobar-Morales is able to concurrently enact multiple personas while simultaneously creating a unified hybrid self.Maya Escobar was born in Chicago, IL in 1984.  Andria Morales was born in 1982 in New York, NY.  Escobar received a BFA from the School of the Art Institue of Chicago (2007) and an MFA from Washington University in St. Louis (2009); Morales received a BA from the University of Pennsylvania (2004) and an MFA from Tyler School of Art, Temple University (2008).