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Maya Escobar

Conceptual Identity Artist

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behind the scenes acciones plásticas purikura

maya-with-frida-tat.jpg

The Latina HipsterThe Latina Role ModelThe Homegirl

Here are some behind the scenes images from the many Acciones Plásticas プリクラ photo shoots.

The Latina Hipster  (performance still)

The Latina Hipster

The Homegirl  (performance still)

The Homegirl

Becoming The Homegirl (performance still)

The Homegirl putting on fake nails (lovin' the shabbos candlesticks and theory books in the background)

The Avodah Girl (performance still)

The Avodah Girl

The 612er  (performance still)

The 612er

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Check out this inspiring write-up on Acciones Plásticas プリクラ on Truth and Healing Project.excerpt below:

goodness.   I’ve been thinking a lot about the intersections between new media and traditional forms of knowledge and how these intersections can be ways of supporting tradition, innovation, resistance and liberation.  As a media-maker, I’ve thought a lot about non-traditional forms of telling stories and the value of stories to allow us as individuals and communities  to grow and remain in movement.  I want to both  honor our traditions and create space for challenge in order to support growth.   This is particularly challenging when, as indigenos, we are usually FORCED  into the frozen stance (as my sister Whisper says)  of the “American Imaginary”.    Born out of a flat analysis, the “American Imaginary”  boxes us into specific archetypes and narratives that,  though perhaps grounded in truth,  metaphorically and at times literally  “freeze” us and immobilize us from engaging in healthy movement and LIFE.  As a guatemalan-born/ mixed -id’d/ mayan-adoptee I’ve  dreamed about new and innovative ways to create forums and craft form that embodies the intersections of say,  mayan id, transracial queer, working class, single teen mama id.   For example, as a queerasfuck femme I’ve LITERALLY dreamed of beginning a series of corsets created out of huipil’s with stories attached to each… though I have yet to begin work on that.  I am so excited by the thoughts of spaces for dialogue, beauty, challenge & examination of the COMPLEX identities embodies by the our contemporary indigena communities. .  Fierce and phenomenal chicana and radical latina artists  have had HUGE impacts on me but I’ve been hungry to see this come from other guatemelan/ mayan artists.  Today, I got a taste of a  contemporary and GUATEMALAN artist who is  actively engaged in a similar examination!  I came across this blog (and art work)  and it was as if an answer was given to me in the form of possibilities.  A sweet affirmation that this form of mayan/guatemalan  art CAN and DOES exist.

tags: Acciones Plásticas, artist, chicano, collaboration, guatemalan, latina stereotypes, Mayan, Performance Art, purikura, queer, Rio Yañez, The 612er, The Avodah Girl, The homegirl, The Jewess Blogging Queen, The Latina Hipster, The Latina Role Model, truth and healing project
categories: Art, artista, contmporary art, feminist, Frida Kahlo, humor, identity, Judaism, Latina, Maya Escobar, new media art, Performance, women
Wednesday 01.13.10
Posted by maya escobar
 

ongoing intertextual exchange

The other day I posted a link on facebook to an article by Kevin Kelly on vizual literacy. Both Eric Repice and Eliyahu Enriquez responded to this post, and Eliyahu wrote a post about this exchange on his blog....The following is a repost of Eliyahu's post Vizual LiteracyRT/Hat Tip @mayaescobar Tools for VizualityExcerpt from Fb Thread Transcript:

In archiving poems in blog format, I find embedding videos with a distinct narrative to the word-piece heightens the sensory experience: simultaneous stimuli, rather than a replacement paradigm with regards to medium. The experimental nature of combining/utilizing moving images with poetry, such as those of Filipino Author, Nick Carbó, hints at what I'm trying to get at, though the idea I'm reaching for may be more a novelty for Literary marketing strategies/accessibility on the web... With an accompanying video in whatever length, the reader is more likely to stay with the poem, rather than a wham-bam!-thank you, sir means of creative dissection. Whereas, to capture the essence of canonization - the written word to a cinematic language, while maintaining their distinction - that's something I'm currently playing with...What Would Judas Do?

"I visited a sage, Rav Yosef Shalom Eliashuv, who lives in one of the most secluded ultra-Orthodox communities in Jerusalem. He was in poor health but still taking visitors... Speaking in Hebrew, I told him what, at the time, I felt was the truth. 'Master, I am attracted to both men and women. What shall I do?' He responded, 'My dear one, my friend, you have twice the power of love. Use it carefully' - Rabbi Steven Greenberg."

[youtube=http://www.youtube.com/watch?v=Lu2tkyEWiZc]

I am attracted to

He loved me.He loved me not.

I love bringing pleasure too

She loves mi.She loves mi knot.

The Art of Couch-Hopping

Lark descending.Lost Ark.

As Queer as A Clockwork Orange

[youtube=http://www.youtube.com/watch?v=-Uc30u1r81k]
[youtube=http://www.youtube.com/watch?v=WNcyoT1xLTU]
Sources:

Maya Escobar's YouTube ChannelNick Carbó's YouTube ChannelEliyahu Enriquez's YouTube Channel

tags: collaboration, eric-repice, facebook, gender, intertextual, madkamp, Maya Escobar, poetry, queer, twitter, visual literacy, vizual literacy
categories: Art, blogging, culture, hip hop, identity, new media art, YouTube
Tuesday 04.28.09
Posted by maya escobar